From The New Yorker: The Elevator-Rescue Teams of Moscow
When Yuri Kuzmin gets a call that someone is stuck in an elevator in
the Kotelnicheskaya Embankment Apartments, one of Stalin’s “Seven
Sisters,” the wedding-cake-shaped buildings that punctuate the Moscow
skyline, the first thing that the longtime onsite mechanic does is
curse. Then, he grabs his toolbox and heads to the building’s
thirty-second floor. There, in the machinery room. he checks the
nineteen-eighties’s era “brain” of the elevator, a bank of electronics
initially designed to raise and lower rockets being stored underground.
If he can, Kuzmin will release the stuck passengers from there. If he
can’t, he has to go down and do it manually. Does he receive thanks?
“From time to time,” he said. “People are different. Sometimes, they are
not happy. Some are inebriated. But it is always pleasant to help a
good person.”
Moscow has a lot of elevators—upward of a
hundred and twenty thousand, which is more than twice as many as New
York City. Many are old—every fifth elevator in the Russian capital has
exceeded its lifespan. And a lot of people get stuck in them—depending
on whom you ask, anywhere from an estimated hundred and twenty thousand
to more than two hundred thousand people get stuck in a Moscow elevator
each year. (In Chicago, which has a just under a quarter as many lifts
as Moscow, the number of yearly entrapment incidents reported to the
city is closer to a hundred).
That’s why teams of specially-trained elevator rescue mechanics roam
the city day and night, freeing people. “We are like Batman,” said
Evgeniy Titarenko, general director of Moslift, on a recent morning. “If
anything happens, we come and save you.” During the Soviet era,
state-owned Moslift oversaw every elevator in Moscow. In 1992, Moscow’s
government decided to take part of Moslift and create a joint company
with the American company Otis. Today, Moslift is still in charge of
about half the elevators in Moscow, while MOS Otis is responsible for
just under half. (Some two hundred and fifty small, largely unregulated
companies handle the city’s remaining lifts).
“You are lucky if you get stuck in our elevator,” said Titarenko, a
jovial, energetic man who smelled like cigarettes. The Moslift director
then gestured around the “Situation Room,” where a wall of modern
screens offered a contrast to the rest of the building’s brown-toned
Soviet décor. Three dispatchers sat at their desks taking calls as data
blinked from the screens. An address popped up, highlighted in red:
someone had just gotten trapped. Every elevator in Moscow is supposed to
be equipped with a button to connect passengers with the responsible
company’s dispatchers. These buttons don’t always work, so these days
people use their cell phones. Calling Moslift, said Titarenko, is still
the default for many a Muscovite. “If it is not our elevator, we try to
transfer the call,” he said. “But we are helping everyone.”
There is more to the art of elevator rescue than just sending a team
out. “We work with the whole person,” explained Valentine Kazakova, who
has been a Moslift dispatcher for ten years. “The most important thing
is to use a kind voice. Then, we help so that he won’t be nervous. We
call to his relatives, we can call to his job. So we work with him
personally. Meanwhile, the rescue team is coming.” The goal is to get
people out within thirty minutes, and both Moslift and MOS Otis say they
regularly achieve this, rendering the Muscovite elevator-entrapment
experience more of a workaday inconvenience than a newsworthy event.
Indeed, some see getting stuck in the elevator as a blessing in
disguise. In the late nineteen-eighties, the Russian rock band Chaif was
stuck in a hotel elevator with the Russian rock band Kino. As it
happened, the musicians were in possession of some “flaming water,” or
vodka, so the experience was a cheerful one, and the incident inspired a
line in the 1996 song, “Rock’n’roll Tonight”: “Yesterday I was stuck in
an elevator for the first time / It was a great opportunity to talk
with myself.”
“We have an opportunity for frankly speaking with [ourselves] very
rarely,” wrote Vladimir Shakhrin, Chaif’s lead singer, in an e-mail.
“But when you [are] stuck in an elevator, you get a wonderful chance to
talk and listen [to] yourself. And maybe this chance is the only one,
for many people.”
Both Moslift and MOS Otis say that serious elevator accidents and
injuries are rare in the Russian capital. And, if a hazardous situation
does come up, it can be a bonus to have so many mechanics on hand. Two
months ago, for example, Victor Ermolaev, a foreman who has worked for
Moslift since 1979, averted a tragedy. We met on a rainy afternoon in
the south of the city. He maneuvered through traffic, turned down a side
street, and pulled up to a fourteen-story prefab building
indistinguishable from its neighbors. “This is where the fire was,” he
said, peering up through the windshield. “This was the door we used.”
Ermolaev was in his office, just a few streets over, when he got the
call: a man and a woman were trapped in a lift in a building that was on
fire. While Moslift has fifteen hundred rescue mechanics on call
everyday, if a line mechanic is closer, they’ll send him instead. The
elevator had stopped near the fourth floor when the electricity went
out. “I am the most senior, so I went,” said Ermolaev. The fire
department was there, but he was able to open the doors more quickly
than they could have. “It was a matter of minutes,” he said. “They could
have broken down the doors, but they would have saved two corpses.” As
it was, the mechanic was able to jump down into the lift and, despite
the fumes, pass first the unconscious woman, and then the unconscious
man up to the firefighters. Both lived. “That was the first time in my
career,” he said, “but I just did what any person would do.”
Over at Otis, in the eastern part of the city, the only thing Soviet
about the office is the view: beyond the plate-glass windows rise a crop
of tall, gray residential blocks. While the major building boom in
prefab residential construction began in the nineteen-fifties, much of
the housing stock was limited to five-stories to avoid the need for
elevators, according to Richard Anderson of Columbia University. Around
the mid-nineteen-sixties that changed. Under Brezhnev, taller buildings
requiring extensive use of elevators went up to address the city’s
housing shortage; the largest segment of Moscow’s elevators are located
in these buildings.
“Russia has a very well-developed elevator market,” said Vardan
Avakyan, director of the Otis Eastern Europe Group. “You forget, but the
U.S.S.R. was a very well-developed country. We launched a spaceman in
1961.” Otis, the world’s largest elevator company, brought the first
elevators to Russia: in 1893, Czar Alexander III ordered several for the
Winter Palace in St. Petersburg. “You know the Russian Czars were
basically German,” said Avakyan. “So they probably had engineering
somehow in their background.”
With the revolution, Otis’ expansion into Russia came to a halt. In
1991, Vladimir Putin, then working in the St. Petersburg mayor’s office,
signed the papers to build an Otis factory in St. Petersburg. (A photo
on the wall, with a longer-haired, younger-looking Putin attests to this
event.) Otis’s Russian-made elevators, like the “Neva,” compete with
those of Soviet manufacturers whose factories sometimes still use
machinery expropriated from Germany after the Second World War.
MOS Otis’s rescue center is not so different from Moslift’s—except
for the giant plastic map of Russia on the back wall, scattered with
little star-shaped lights. “Our plan is to have control of all Russia
from this place,” said Alexander Danilov, marketing director at Otis
Eastern Europe Group, gesturing at the cities lit up on the map. “Every
Otis elevator, from Tver to Vladimir, from this room.” Modern elevator
technology makes this a possibility: like cars, elevators are
increasingly driven by sophisticated electronics. Elevators can often be
repaired remotely, with no need for a mechanic’s visit. The MOS Otis
dispatchers, a group of sturdy women with no-nonsense hairdos wearing
identical blue uniforms, have gotten entrapment calls down to under a
minute. “When we started, they were taking two to three minutes,” said
Vadim Yudin, a service operations manager. “People always want to tell
the whole story. But all we really need is the address, and the
condition of the entrance.”
Last year, Moscow’s new mayor launched a program to replace the
city’s oldest elevators. But it’s still not hard to find people who have
been stuck in an elevator: on a stroll down Old Arbat street on a
holiday, it took twenty minutes to talk to three people who had been
trapped. Both Diana and Ilan got stuck as children, in the nineties,
when the Brezhnev-era elevators reached the end of their lifespan; to
this day, Diana tries to take the stairs whenever she can. Ilya, an
engineer, was trapped more recently, in the building in the Moscow
suburbs where he lives on the eighth floor. “My wife and I had just come
back from the supermarket, and we had all the goods with us,” said the
young man. “I used the button, and the guy was really nice.” Rescuers
came within half an hour, he said. “In the end, it was a romantic twenty
minutes with my wife.”
Maxim, an economics student who grew up in a first-floor apartment,
always takes the stairs. He has never been trapped, but two friends
were. “It was New Year’s Eve, and it was very unpleasant—they had to
wait two hours.” New Year’s Eve, as any elevator dispatcher will tell
you, is a particularly busy night in the festive Russian capital.
“People sometimes decide they want to jump up and down,” explained Otis’
Yudin, with a wry, slightly pained look. “They are looking for
adventures.” Still, come what may, the dispatchers are there: “There was
one guy, he was trapped and it was taking a while,” said Yudin. “Of
course he had a bottle of champagne, because he was going up to his
friend’s house. So at midnight, one of our dispatchers toasted with him
over the intercom. They met the New Year together.”
Standing next to his white rescue car, a Lada, Aleksey Zotov, a MOS
Otis rescue mechanic, had just finished his regularly scheduled
maintenance work in one of the eastern residential districts for which
he is responsible and was now officially on call until the following
morning. Tall and friendly, Zotov said he makes two to three rescues a
week. “They’re usually grateful,” he said, of the people he frees. In
eleven years and too many rescues to count, he said he has never seen
anyone crying. His most memorable rescue took place a few years ago. “It
was a bride, and she got stuck in the elevator without her future
husband,” recounted Zotov, as the afternoon drew to a close. “When I
rescued her, she was so happy she invited me to come along with them to
the wedding.”
Did he go? The mechanic shook his head. “No,” he said. “I was working."
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